Saffronart Blog : The Art of Imran Qureshi

Posted on November 8, 2012by manjarisihare

Guest blogger, Sayantan Mukhopadhyay reflects on Imran Qureshi’s Moderate Enlightenment series of paintings

Imran Qureshi: Moderate Enlightenment, 2007, Gouache on Wasli, 8.5 x 6.5 in
From: Saffronart’s 24 Hour Auction: Art of Pakistan, Lot 31
Exhibited and published: Hanging Fire: Contemporary Art from Pakistan, 2009-10

New York: As contemporary art hurtles further into its characteristic world of postmodern diffusion – where national categories give way to dissolving borders and trans-regional connections – potent markers of heritage serve as reminders of mooring and place.

Imran Qureshi has stated the importance belonging plays in his art and his Moderate Enlightenment series reveals a keen interest in re-pitching a distinctly South Asian artistic vernacular, paying homage to tradition and the importance of history in visual storytelling. The miniature – an art form that has been devoted exclusively to portraiture and the human form – is an encounter with an individual. In its historical use, important imperial or divine figureheads would be richly painted and ornamented with gold leaf, allowing inquisitive eyes a point of access into the court or the heavens.
Qureshi paints intimate portraits of religious men and finds a quiet anxiety with contemporary Pakistan therein: seemingly mundane images of men turn into hidden symbols of social unrest. These post-9/11 treatises search to understand how perceptions of zealotry can be influenced by fashion and posture. In his use of the miniature, he highlights the issue as a South Asian one, fixed at once to geography and culture, but also one that is fiercely contemporary. Here, Orientalist fantasies of Pakistan cede to modern concerns and pressing international affairs.

Imran Qureshi awarded the Sharjah Art Prize
Image Credit: http://www.sharjahart.org/press1/current-releases/sharjah-biennial-10-prize-announcement

Qureshi’s dexterous mastery over the miniature is a testament to his need to find a global voice laden with legacy. In a painstaking process that requires deft use of fine brushes, miniatures must be held close to the artist’s eyes to ensure accurate detailing. The artist’s inestimable skill earned him a place in the Asia Society’s iconic exhibit of contemporary Pakistani art, “Hanging Fire,” in 2009/10. He later went on to win the Sharjah Art Prize in 2011, establishing him as one of Pakistan’s most important stars today. Refusing to be titled reductively as a ‘Miniature Painter,’ he has shown himself to be a versatile artist, his large-scale installation pieces proving him comfortable with media either big or small. An artist to watch and to follow, Qureshi lets us catch glimpses of a Pakistan through visions grounded there but equally aware of the world at large.

Pakistan art makes a good debut at the first dedicated art auction

 

Pakistan's first dedicated art auction at Saffronart made a reasonable debut at the recently concluded on-line auction. While the overall percentage of lots sold was a mediocre 46%, some of the aritsts' works were sold at the highest prices ever achieved for their works in an auction. 

Saffron's announcement of a dedicated Pakistan art auction had created a lot of excitement amongst the art circles. People who follow Pakistan art clearly have the view that the art coming out of the country is much more interesting, in depth, experimental and diverse then a number of its peers in the region. But it is underrepresented at the global level (like most good things from Pakistan!). Saffronart's move therefore created hopes of raising Pakistan art's profile beyond its traditional avenues (galleries in Pakistan and a handful outside Pakistan). The auction was preceded by a number of articles and talks arranged by the auction house to raise awareness.

For a country, starving for good news, a positive buzz and excitement about this auction was natural !

The excitement was accompanied by a lot of anxiety and nervousness too. Tough global economic environment especially in India was one of the concerns.The nervousness rose further when the details of the auction were announced a couple of weeks before the auction itself. The number of works avaliable seemed too large (70) and so was the broad diversity of artists represented in the auction. The price estimates appeared aggressive too, especially for artists who have had no strong international exposure. This was probably driven by the fact that most of the works came from commercial concerns like Aicon Gallery, Canvas Gallery and Asal Collection (Green Cardamom) rather than directly from collectors.

Amongst this backdrop, the auction did well. Out of the total 70 lists available, 46 were sold, achieving a 66%. In total Pakistan art worth US$310,883 was sold sat the auction.  

	No.	Percentage
Total lots in auction	70	100%
Lots sold	46	66%

	US$
Total Winning Value (inclusive of buyer's premium)	310,883

 The top lots by value were dominated by the known names like Jamil Naqsh, Imran Qureshi and Rashid Rana. A number of new artists made it into the most expensive list, like Ali Kazim, Saira Wasim and Bani Abdi.  

There were also a number of artists who made their auction records by achieving the highest selling price ever for their work in this auction. These artists include Imran Qureshi, Ali Kazim, Bani Abidi and Saira Wasim. 

Top 10 Lots by Value

Lot No	Artist Name	Title	Winning Value (US$)
25	Jamil Naqsh	Untitled	27,692
31	Imran Qureshi	Moderate Enlightenment	21,000
33	Rashid Rana	Ommatidia II (Salman Khan)	15,600
18	Ali Kazim	Red Taveez	14,412
1	Anwar Jalal Shemza	Male + Female	14,100
30	Shazia Sikander	Let It Ride # 3	12,888
10	Saira Wasim	Passion Cycle	12,000
32	Bani Abidi	Intercommunication Devices	10,385
38	Ali Kazim	Untitled	10,385
2	Ahmed Parvez	Untitled	9,600

 

We hope to see this auction becoming a regular feature. To Saffronart, our recommendation will be to focus on a smaller number of works (30-40), more focused artist pool, add approximately 10% items with a  substantially higher ticket per item and a little of the Masters too (but staying away from the fake factory!).

While the results of tihs auction can be best described as mixed, we see the glass half full rather than half empty. We view the start of this auction as another another push towards the slow but positive momentum of Pakistan's art development at the global stage. Christies now gives a much broader space to Pakistan art, Bonhams has been pushing Paksitan art for year, Yamini Mehta's move to Sothebys is sure to provide more filip to Pakistan art presence at their auctions. slowly, there is critical mass being developed. Pakistan art space in 2015 will look very different from now. We hope to enjoy that journey together with you !

 

First dedicated auction of Pakistani art in India goes online on November 7

Archana Khare Ghose, TNN Oct 29, 2012, 06.55PM IST

 

NEW DELHI: The country's premier art auction house, Saffronart.com is going to host the first ever auction of Pakistani art in India on November 7 and 8. The 24-hour online auction that will begin at 9.30pm on November 7 will feature 70 works of art by masters past and present from across the border.
Nish Bhutani, COO of Saffronart says, "This is the first time that we are hosting a dedicated auction of Pakistani art though we've had representations of art from Pakistan in our other auctions on and off. India and Pakistan have so much of shared history, geography and culture that this auction is a natural progression of the collaboration we already have at various levels." 

Faiza Butt Justice League: Justice League, a 2005 ink on polyester film work by Faiza Butt (Photo: Saffronart.com)
The special feature of the auction, titled Modern and Contemporary Art of Pakistan, is that the art works are affordable compared to the prices commanded by Indian art at top auctions the world over. The highest priced work, for instance, is Jamil Naqsh's 2007 untitled acrylic on canvas which is expected to go for anything between Rs 12 lakh to Rs 16 lakh. The 74-year-old London-based artist is one of the foremost modern masters of Pakistan. His position in the Pakistani art space is often compared to that of MF Husain in India.    ...... read more