Saturday, November 2, 2013

Welcome back to the coming age of 'Naeen ree-saan shehr Lahore di-yaan'

 

Vogue's Blog on Lahore is delightful for multiple reasons

A very good blog on Lahore not only for describing the places to visit and where to eat but also because of a well written description on why they say 'Lahore Lahore Haey' and also because of including our favourite Imran Qureshi, Rashid Rana and Aisha Khalid in the write-up. The inclusion of visual art scene in a 'routine' blog on a city like Lahore (and for Pakistan in general) is a welcome change / sign, as it indicates that the cultural presence and activities have strengthened to a level where they are seen as 'main stream' destination activities, along with the routine architecture and food related descriptions.

Again shows that Pakistan is growing beyond the dark days of Zia-ul-Haq and Lahorites and getting back into their groove of the last 300-400 years - of good architecture, great food and even greater cultural scene - be it visual, performing or literal.

Welcome back to the coming age of 'Naeen ree-saan shehr Lahore di-yaan' (Lahore has no parallel)

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PS: To know more on why Artwallaa believes that the Pakistan visual art scene is in an irreversible upward pattern, read the following articles:
2013 is proving to be a banner year for Pakistan Visual Arts
Bloomberg article on Pakistan art - stereotyped, shallow but ......
A Proud Milestone for Pakistan & Asian Art
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Vogue's lens on Lahore

Guest Blogger | 30 Oct 2013       
Source: Vogue-In

 

Wazir Khan Mosque in Old Lahore. Image: Sana Zulfiqar
Suhair Khan discovers Michelin-worthy kebabs, meets major artists in their homes and spotlights Lahore's most popular fashion designers
In the heart of a throbbing city of 10 million people is a walled island where the timestamp seems to be stuck somewhere around 1647 AD.
Bags of saffron, turmeric, fresh peaches and dried tobacco are piled high along shoulder-width cobbled streets. And so while standing in the midst of Old Lahore's Wazir Khan Mosque this summer, in the deepest corner of the Mughal-era Androon Shehr -- as the Asr azaan was called out of the tiled minars -- I held my breath and waited for reality to seep back through my skin.

Inside the Walled City. Image: Sana Zulfiqar
The thing is, as you drive back through those narrow roads and onto lush tree-lined boulevards, Lahore's reality hits you pretty quickly: start-up competitions, art fairs, parties, fashion shows, incessant wedding celebrations, (many) flyovers, abnormally large malls and business conferences.
Lahore is, in every way, an archetypical contemporary city -- peppered with some necessary chaos and flavoured with a fair dose of Punjabi swagger.



Girls make their way through the narrow cobblestone pathways within Old Lahore. Image: Saad Sarfraz Sheikh



Badshaahi Mosque. Image: Ali Khurshid





The city's old architecture. Image: Ali Khurshid

 

Food: Michelin-worthy kebabs

Evenings in Lahore begin very late and cuisine is considered with an intense collective seriousness.
This place is not for the faint of stomach.My cousin Shahnawaz -- a Ferrandi-trained French chef who has worked with Alain Ducasse and David Bouley and so no slouch when it comes to gourmet food -- declared that he had found Pakistan's only Michelin-worthy restaurant: the kebab specialists at Baking Virsa in Gawal Mandi.

Also always on the list of visiting gastronomes is the somewhat rundown Cuckoo's Café, in the shadow of the Badshahi Masjid. Here, steaming hot tea and meat-laden food is hoisted up via antiquated pulley. Once a brothel, this ornate heritage building is also the childhood home of the proprietor Iqbal Hussain, a painter who is famous for his depictions of the women of Heera Mandi -- the poetically named red light district.

Massive homes in the city's newer, posh districts are decked out with private bars and perma-dancefloors in this extended era of prohibition. Some old Lahori families continue to live in exquisitely maintained old havelis, hosting lavish parties and serving up local culture, food, and music (replete with contemporary DJs).

On the weekends, this crowd heads off to their feudal lands along the banks of the Indus or to farms at the outskirts of the city, where invites to Qawwali nights at the homes of born-again Sufis are highly coveted.


On a foodie tour with Shahnawaz, uber chef and gastronome. Image: Sohaib Athar

The celebrations are never less than lavish. Image: Ali Khurshid

Art: Rashid, Aisha and Imran

But for me, the highlights were easily meeting some of the ambassadors of the city's current story. The artist Rashid Rana -- whose groundbreaking work is coveted by collectors, museums and art fairs worldwide -- and his wife Aroosa, spoke to me about Rashid's ongoing (and incredible) retrospective at Karachi's Mohatta Palace.
 
Rashid Rana's incredible work. Image: Rashid Rana

Being in their home was a visual feast: amongst industrial furniture, the stark white walls are adorned with pieces by Zahoor Ikhlaq, Quddus Mirza, and Muhammed Ali Talpur. A true Lahori (he gave me tons of local foodie tips), Rashid's crowd includes the writer Mohsin Hamid, artists such as Ayaz Jokio, former art students and young entrepreneurs. He is contemplating an artists' salon; I would love to be a fly on that wall.
 
At home with Rashid and Aroosa Rana in front of a Zahoor Akhlaq painting. Image: Aroosa Rana

I continued to take advantage of desi hospitality by scarfing down tea and buttery palmiers in the home of Aisha Khalid and Imran Qureshi (yes, the contemporary Pakistani artist whose work is currently on display on the roof of the Metropolitan Museum of Art in New York). The two chatted with immense modesty about Aisha's upcoming shows at the Moscow Biennale and Imran's September talk at the Met with the heads of the Islamic Art and Modern Art departments. Their own dazzling works were dotted among others' pieces throughout their home -- all of it reflective of their city and country -- with all the depth and colour, history, and sometimes frightening uncertainty which has shaped their own identities as contemporary and very present Pakistani citizens.
 

Tea with Imran Qureishi and Aisha Khalid at their home in Lahore. Image: Sahyr Sayed

Imran is a big fan of current Pakistani cinema (Aisha wryly observed that he's its most enthusiastic ambassador), and he excitedly played the trailer for a new film, Zinda Bhaag, for me on his laptop.
The movie is set in Lahore, and as an artist, Imran clearly relates to the theme -- young Pakistanis confronting the ennui of a complicated and often intense existence. A few weeks later, the film was voted Pakistan's first official entry to the Oscars.

Lahore pulls together so much of what it means to live in contemporary Pakistan. Writers, professors, activists, artists, tech entrepreneurs, lawyers -- there is a dynamism which makes it difficult to leave. And so I left the city reluctantly, carrying as keepsakes Iqbal Hussain's book of paintings and Liberty Market's best meetha paan to the airport. The car drove past a gaggle of young boys splashing around in the muddy waters of the city's central canal in the early morning light. They would dry off before evening, when the city lights up again.

Culture: Lit fests and good museums

Poet Faiz Ahmed Faiz's 'City of Many Lights' definitely glitters today. There is a cultural resurgence in a place which can boast centuries of painting, literature and music.
The Lahore Literary Festival last year hosted star writers such as Tariq Ali, Bapsi Sidhwa and Mohammed Hanif, and luminaries from the arts such as architect Nayyar Ali Dada and artist Salima Hashmi.
Of the city's many art events and galleries, my friend Nelofar recommends the annual thesis exhibition at the Zahoor-ul-Akhlaque Gallery at the National College of Arts. The Fakir Khana Museum is another museum worth the trip; hidden away at the Old City's Bhati gate, this private collection contains treasures passed down through generations of the Fakir family, with almost 30,000 items from the Sikh, Mughal and British eras -- perilously preserved and infrequently visited.


A look at Lahori theatre. Image: Ali Khurshid

The MetroPole theatre. Image: Sana Zulfiqar

At a concert. Image: Sana Zulfiqar

Urdu digests. Image: Sana Zulfiqar

Fashion: Lahore's immaculately dressed women

Lahore's women are famously immaculately kept, and beauty parlours named thus sprout at every other corner.
Fashion rules.
Nelofar, who is one of the most chic people I know, recommends the Pakistan Fashion Design Council showroom in the upmarket Gulberg district.
Designer favourites include Kamiar Rokni (who uses traditional fabrics from his native Bahawalpur), Maheen Karim (slinky gowns) and Sania Maskatiya (trendy prêt).
Something that really excites me is fashion girls seeking out older designers and styles as well, reverting from Bollywood bling to sleek chiffon saris, classic cuts, and even muted Parsi-style embroidery.

Kamiar Rokni. Image: Facebook.com/TheHouseofKamiarRokni

Maheen Karim at the 6th PFDC Sunsilk Fashion Week 2013. Image: Pfdc.org

Sania Maskatiya at the 6th PFDC Sunsilk Fashion Week 2013. Image: Pfdc.org

Top 10 Lahori must-sees, according to locals Nelofar and Sohaib

  1. Anakarkali's tomb: Explore the cavernous archives in Anarkali's famed mythical tomb, and sift through documents such as the original deed of the sale of Kashmir to the British Empire in 1846. A bit difficult getting in, so plan ahead.
  2. Wagah border: March yourself to the Wagah border to watch the famous Indo-Pak evening staredown -- a flag-lowering ceremony which is a spectacle of colour, sound, and anachronistic bombast and still pulls in the crowds.
  3. The Royal Trail and the Fakir Khana Museum: Walk down the Royal Trail to find everything from antique jewelry to spare motorcyle parts. Weave your way from Delhi Gate up to the Mughal-era Badshaahi Masjid and Lahore Fort, where Emperor Shah Jahan built his beloved Mumtaz a Sheesh Mahal so she could see the stars reflected all around her every evening. Next head to Bhati Gate to check out the Fakir Khana Museum's incredible private collection.
  4. Andaaz Restaurant in the Old City: Divine desi food, phenomenal ambience, rooftop seating overlooking the regal Badshahi Masjid. The Mughals and their courtiers found solace in the arms of the dancing girls in this hood, and although the business has largely relocated to more upscale locales, the spice-filled air remains heavy with centuries of untold stories.
  5. Peeru's Café for live music (they have qawwali night, fusion night, ghazal night) and desi food. Quite an experience.
  6. Baking Virsa in Gawal Mandi: Call 24 hours in advance for a spot -- kebab-centric courses are served and presented by the chef and owner, known to customers as Sufi Sahab.
  7. Pak Tea House: This storied old haunt of intellectual powerhouses such as Faiz Ahmed Faiz, Ibn-e-Insha, Ahmed Faraz, Saadat Hasan Manto and Ustad Amanat Ali Khan was recently re-opened by an activist blogger. Sip tea and engage in lively dialogue on whatever suits your fancy.
  8. MM Alam Road shops: Named after a 1965 wartime pilot, the road received a makeover recently and with it a new kind of invasion; designers like Nida Azwer, Sania Mastikayia, Fahad Hussain and Sara Shahid have boutiques here.
  9. Liberty Market: For anyone on a budget, get everything from chikankari and kaamdani embroidery and fabric, trendy sandals, Lahori khussas, bangles, and lace trimmings here.
  10. The Pakistan Fashion Design Council showroom in the upmarket Gulberg district.


 

Thursday, October 24, 2013

Waqas Khan at The Frieze

This is a beautiful large scale work. The image below does not do justice to the detail, aesthetic proportion and the impact of the work. And by the way, this piece had been sold.

Stay tuned for more coverage on The Frieze ....

Art and the Artist  (Source: Waqas Khan)





 

Saturday, October 19, 2013

Quarter of a million visitors to the Met Rooftop and counting .....

An interesting article below in the Wall Street Journal, on the economic impact of the Met Exhibitions on the US economy. Even more interesting are the three 'high profile exhibitions' mentioned in the article, because the list includes Imran Qureshi's Rooftop exhibition.

Till the time of the study (end August), Mr Qureshi's exhibition had attracted over 259,000 visitors. With more than two months remaining till the end of the exhibition, it is safe to assume that over 400,000 would have visited the exhibition (from May 11 to Nov 3). What an impact !

No marks for guessing who had a bigger positive impact on the general American public - Imran Qureshi's exhibition or the PM's speech to the UN !

An ever counting

Artwallaa

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Source: The Met
 

Met Exhibitions Bring Tourism Dollars

Tourists Drawn to the Met Spent Some $401M During Spring and Summer

 By
                          Out-of-town visitors, drawn to New York by the Metropolitan Museum of Art's collection and three high-profile exhibitions, spent some $401 million this spring and summer, according to a study released Monday by the museum.

The Met's economic impact in 2013 marked a slight increase from the $398 million seen in the previous season but was lower than the $472 million generated in 2011, when a blockbuster show devoted to the late British designer Alexander McQueen prompted a surge in visitors.
In total, 1,076 visitors were surveyed. The study was conducted this spring and summer by the Met's market-research and marketing arms.
 
Fashion exhibitions continued to be crowd-pleasers. In the spring and summer of 2013, "Punk: Chaos to Couture," about the rock genre's rebellious aesthetic, drew 442,350 visitors. "Impressionism, Fashion, and Modernity," which examined the clothes worn in Paris from the 1860s to 1880s, drew 440,973 visitors.
 
A third show, a rooftop installation by the Pakistani artist Imran Qureshi, opened in May and attracted 259,858 visitors before the study concluded on Aug. 31. (The exhibition is still open.)
 
By contrast, "Alexander McQueen: Savage Beauty" drew 661,509 total visitors in 2011, pushing the museum's annual attendance to a record high of 6.3 million in the 2012 fiscal year.
 
This year, more than three-quarters (77%) of the museum's visitors traveled from outside the five boroughs of New York. Of these, 21% came from the tri-state area, 31% came from other states and 48% were international visitors. Among travelers, 78% reported staying overnight in the city.
As in past years, more than half of the Met's out-of-town visitors cited the museum as a key factor in their decision to come to New York. This year, those visitors yielded an estimated tax benefit to the city and state of $40.1 million, according to the study.
 
People who visited the Met also took advantage of the city's other cultural offerings: 73% visited other museums, 47% saw a Broadway show and 19% attended an opera, ballet or concert. Visitors from out of town reported spending $1,139 per person on average during their stay in New York, a decline of 3% from last year, attributed to a drop in shopping. They stayed for an average of 6.6 days.
 


Monday, October 14, 2013

Shahzia Sikander in Istanbul



ISTANBUL BIENNIAL
INSTALLATION VIEW OF NEW WORK: PIVOT, 2013
Abstract


Soprano singer in performance as part of Pivot, Istanbul Biennial



Sunday, October 13, 2013

Video: Imran Qureshi's discussion at the Met, NY in September.

A very interesting video not only because of Imran's work and thoughts but equally importantly because of the explanation given by Ian Alteveer on the technique of miniature painting and by Navina Haider on the history of miniature painting.

The video shows a lot of exceptionally beautiful works and puts into perspective the common themes running in this practice for the past 500 years - from the courtyards and gardens of the Mughals to that of the Queen's Palace in Bagh-e-Babur in Kabul to the Met's Rooftop and the Central Park in New York.

If you want to know your 'miniature painting history', bookmark this video.

Enjoy !


Source: The Met

From the Met, "The extraordinary tradition of miniature painting has provided fertile ground for young artists working in Pakistan, India, and beyond. Join Met curators Ian Alteveer, Maryam Ekhtiar, and Navina Najat Haidar, along with Roof Garden Commission artist Imran Qureshi for a discussion of the medium's rich history and its deep resonances as a contemporary practice. This program is held in conjunction with the exhibition The Roof Garden Commission: Imran Qureshi."

Video - Quddus Mirza - worth watching despite .....

Artwallaa must confess that Artwallaa started watching this video with a negative bias; for two reasons. We find it odd that the editor of a magazine uses the magazine's platform/name to talk about his own work and that too a few days before his impending exhibition. Also, Artwallaa was biased after reading some reviews of Mr Mirza's panel discussion at the Lahore Literary Festival.

To our pleasant surprise, the video is absorbing on many counts. It gives a very good context of Mr Mirza's works. There are some very good stories behind most of his works. The video is also a good recap of the history of art in Pakistan in the past 30 years specially with reference to the politico-social developments of the country in that period. It also is a lesson for young artists on the importance of independence of thought in art.

After watching the video, Artwallaa stands corrected. We appreciate Mr Mirza's conceptual works much better now, though we still prefer his 'more finished' works - at least aesthetically.

If you are planning to go and see his exhibition, watch this video beforehand. It will make the experience a lot more enjoyable. And, even if you are not going to the exhibition - still watch it !

Artwallaa



Quddus Mirza: Art and Other Ideas. Source: ArtNow, Vimeo

Sunday, October 6, 2013

Nothing beats being the highlight of The Met Store, NY

As an artist, nothing beats having your publication(s) as the highlight of the The Met Store NY.
Source: FB

Shahzia Sikander wins another award - ArtPrize 2013


Source: Mlive.com
            
 
 
 
ArtPrize-goers watch Shahzia Sikander's entry "The Last Post" at the Grand Rapids Art Museum. The entry won the $20,000 time/performance juried prize in ArtPrize 2013. (Cory Morse | MLive.com)
 











































 

Tuesday, September 24, 2013

After Berlin and New York, here comes Roma !


Imran Qureshi's exhibition opens in Rome today. All of us are probably a little fatigued with looking at Imran's images, but do remember that no other Pakistani artist has gotten such a global profile with a series of globally important exhibitions in such  cramped period of time. So, dare I say, enjoy while it lasts as we are seeing history in the making!

Flowers of blood in Qureshi's Rome exhibition

Source: AFP / Various newspapers/websites

ROME: Pakistani artist Imran Qureshi brought his award-winning exhibition on beauty and violence to Rome Monday, unveiling the blood-themed creations which saw him appointed Deutsche Bank's 2013 “Artist of the Year.”

The 41-year-old, who was given the honour of creating an installation on the rooftop of New York's Metropolitan Museum of Art this year, has brought 35 works to Rome's Macro museum for an exhibition which runs until November 17.

A rising star of South Asia's “neo-miniaturist” group of artists, Qureshi pays homage to the ancient Islamic art form of miniatures in the collection while simultaneously exploring elements of contemporary abstract painting.

Many of the works contrast life and brutal death, with splatterings of red acrylic paint to suggest blood and intricate foliage designs representing life.

In one, what appears to be the blood splatter from a gun shot wound drips down a white background to pool on the floor, while in another two giant, sun-like yellow spheres are tinged with a violent red.
Another sphere reminiscent of a fruit sports flowers of blood.

The artist, who teaches miniatures at Lahore's National College of Arts (NCA), has said the colour tone in his work is inspired by brutal bombings in Pakistan, in particular, one strike close to his family home which destroyed a market three years ago.

The instant transformation of place full of life to bloody landscape had a deep effect on his work, he said.




Artist Iman Qureshi poses next to his workon September 23, 2013 during the opening of his exhibition at the Macro Museum in Rome. PHOTO: AFP



Source: Facebook.


Pakistani artist Imran Qureshi poses in front of his work on September 23, 2013 during the opening of his exhibition at the Macro Museum in Rome. -AFP Photo


A visitor walks past the work of Pakistani artist Imran Qureshi on September 23, 2013 during the opening of his exhibition at the Macro Museum in Rome. -AFP Photo


Pakistani artist Imran Qureshi poses in front of his work on September 23, 2013 during the opening of his exhibition at the Macro Museum in Rome. -AFP Photo
 

A visitor walks past the work of Pakistani artist Imran Qureshi on September 23, 2013 during the opening of his exhibition at the Macro Museum in Rome. -AFP Photo
 

Pakistani artist Imran Qureshi poses next to his workon September 23, 2013 during the opening of his exhibition at the Macro Museum in Rome. -AFP Photo
 
 
Pakistani artist Imran Qureshi poses next to his work on September 23, 2013 during the opening of his exhibition in Rome
Pakistani artist Imran Qureshi poses next to his work on September 23, 2013 during the opening of his exhibition in Rome (AFP, Tiziana Fabi)

Some more press coverage below.

1 - More press coverage in Italian Newspapers

2 - More press coverage in Italian Newspapers

3 - More press coverage in Italian Newspapers

4 - Press coverage in Dawn

5 - Press coverage in the Tribune

Related articles

Imran Qureshi's exhibition in- Rome

Imran Qureshi's exhibition opens at Macro




Imran Qureshi's exhibition in Rome

Opens today.