The opening of the Pakistan contemporary art exhibition last week in the newly inaugurated Aga Khan Museum, Toronto, has lived up to the expectations of art enthusiasts including Artwallaa ( see Opening of the Aga Khan Museum in Toronto is good news for Pakistani Arts).
Pakistan's most impactful international exhibition ever
Though fewer in numbers of participating artists, Artwallaa believes that this exhibition has become the largest and most impactful exhibition of Pakistan visual arts outside Pakistan. The only exhibition which comes close is the 'Hanging Fire' at the Asia Society New York in 2009 which was much more diverse in terms of participating artists but not impactful in terms of scale.
The reason why Artwallaa believes that the current exhibition rises above the "Hanging Fire' is because:
1. The Phenomenon of Imran Qureshi
4. The Curator
--------------------------------------------------------------------------------------------------------------------------
The reason why Artwallaa believes that the current exhibition rises above the "Hanging Fire' is because:
(Source: FB)
Video by Nurjahan Akhlaque (Source: FB)
(Source: FB)
(Source: FB)
(Source: FB)
David Alesworth
Pakistan's most impactful international exhibition ever
Though fewer in numbers of participating artists, Artwallaa believes that this exhibition has become the largest and most impactful exhibition of Pakistan visual arts outside Pakistan. The only exhibition which comes close is the 'Hanging Fire' at the Asia Society New York in 2009 which was much more diverse in terms of participating artists but not impactful in terms of scale.
The reason why Artwallaa believes that the current exhibition rises above the "Hanging Fire' is because:
1. The Phenomenon of Imran Qureshi
The 'phenomenon' of Imran Qureshi had not happened in 2009. Even though Mr Qureshi had an installation at the Hanging Fire too, it was much smaller in size and impact. The extent and impact of Imran Qureshi's work at the Aga Khan Museum is much bigger (his RoofTop installation at The Met, NY was more intense and dramatic, but was only a standalone work). Mr Qureshi's current work also departed from his signature colours of blue and red, and instead focussed on different types of greens. This departure is important not only because of the change in colours but also because it spoke to the surroundings of the museum very well.
2. Scale and size matter
2. Scale and size matter
Besides Mr Qureshi's works, the scale of some other works impressed Artwallaa too. Aisha Khalid's carpet 'Your way begins on the other side', is eighteen feet tall and six feet wide, and weighs 200 kilograms. Similarly, Atif Khan's 'One Another' measures 100 x 100 x 86 inches and weighs a mighty 800 kilograms.
Artwallaa is not obsessed with scale but the reality is that mankind has always used scale and size to impress their fellow humans in every era, and art is no exception (with no offence to miniature artists!). But more importantly, combine scale with excellent execution of artistic skills and brilliantly conceived original ideas, and you have artistic works which would last/impact many generations. Artwallaa believes that some of the works in this exhibition belong to that category.
3. Biggest body of works by a Pakistani artist outside Pakistan
3. Biggest body of works by a Pakistani artist outside Pakistan
The exhibition brings together the biggest body of works ever shown at a single exhibition by a single Pakistani artist anywhere outside Pakistan. Displaying 59 of Khalid's paintings, the exhibition provides the unique (and so far the only) opportunity in the past 16 years to view such an extensive body of work of this much celebrated artist. To Artwallaa, it seems like a (mini) retrospective of the artists journey over the past 16 years.
4. The Curator
The curator of the exhibition, Sharmini Perrera (whose contribution has not been talked about as much !) has done an excellent job in the choice of artists and works. The works jell exceptionally well with the museum and its surroundings. From the perspective of diversity of styles of works - from paintings to installations to videos to prints to textiles to multi-media - this exhibition has it all.
See a Photo Essay' of the exhibition here
Pakistan visual arts continue to go from strength to strength and Artwallaa's conviction remains high that Pakistan visual (and other) arts is on an irreversible upward trend.
Enjoy and feel proud
Yours feeling-proud
Artwallaa
PS: To know more on why Artwallaa believes that the Pakistan visual art scene is in an irreversible upward pattern, read the following articles:
Pakistan visual arts never had a better year than 2013 - Jan 25, 2014
Bloomberg article on Pakistan art - stereotyped, shallow but ..... - Aug 29, 2013
A Proud Milestone for Pakistan & Asian Art, - April 21, 2013
See a Photo Essay' of the exhibition here
Pakistan visual arts continue to go from strength to strength and Artwallaa's conviction remains high that Pakistan visual (and other) arts is on an irreversible upward trend.
Enjoy and feel proud
Yours feeling-proud
Artwallaa
PS: To know more on why Artwallaa believes that the Pakistan visual art scene is in an irreversible upward pattern, read the following articles:
Pakistan visual arts never had a better year than 2013 - Jan 25, 2014
Bloomberg article on Pakistan art - stereotyped, shallow but ..... - Aug 29, 2013
A Proud Milestone for Pakistan & Asian Art, - April 21, 2013
--------------------------------------------------------------------------------------------------------------------------
Pakistan's most impactful international exhibition ever
Though fewer in numbers of participating artists, Artwallaa believes that this exhibition has become the largest and most impactful exhibition of Pakistan visual arts outside Pakistan. The only exihibtion which comes close is the 'Hanging Fire' at the Asia Society New York in 2009 which was much more diverse in terms of participating artists but not impactful in terms of scale.The reason why Artwallaa believes that the current exhibition rises above the "Hanging Fire' is because:
The Phenomenon of Imran Qureshi
1. The 'phenomenon' of Imran Qureshi had not happened in 2009. Even though Mr Qureshi had an installation at the Hanging Fire too, it was much smaller in size and impact. The extent and impact of Imran Qureshi's work at the Aga Khan Museum is much bigger (his RoofTop installation at The Met, NY was more intense and dramatic, but was only a standalone work). Mr Qureshi's current work also departed from his signature colours of blue and red, and instead focussed on different types of greens. This departure is important not only because of the change in colours but also because it spoke to the surroundings of the museum very well.
Scale and size matter
Besides Mr Qureshi's works, the scale of some other works impressed Artwallaa too. Aisha Khalid's carpet 'Your way begins on the other side', is eighteen feet tall and six feet wide, and weighs 200 kilograms. Similarly, Atif Khan's 'One Another' measures 100 x 100 x 86 inches and weighs a mighty 800 kilograms.
Artwallaa is not obsessed with scale but the reality is that mankind has always used scale and size to impress their fellow humans in every era, and art is no exception (with no offence to miniature artists!). But more importantly, combine scale with excellent execution of artistic skills and brilliantly conceived original ideas, and you have artistic works which would last/impact many generations. Artwallaa believes that some of the works in this exhibition belong to that category.
Biggest body of works by a Pakistani artist outside Pakistan
The exhibition brings together the biggest body of works ever shown at a single exhibition by a single Pakistani artist anywhere outside Pakistan. Displaying 59 of Khalid's paintings, the exhibition provides the unique (and so far the only) opportunity in the past 16 years to view such an extensive body of work of this much celebrated artist. To Artwallaa, it seems like a (mini) retrospective of the artists journey over the past 16 years.
The Curator
The curator of the exhibition, Sharmini Perrera (whose contribution has not been talked about as much !) has done an excellent job in the choice of artists and works. The works jell exceptionally well with the museum and its surroundings. From the perspective of diversity of styles of works - from paintings to installations to videos to prints to textiles to multi-media - this exhibition has it all.
Nurjahan Akhlaque
(Source: FB)
Video by Nurjahan Akhlaque (Source: FB)
Garden of Ideas: Contemporary Art from Pakistan Images
Photos/Multiple contributors - Nurjahan Akhlaq Death in the Garden of Paradise 2004 Film still
Bani Abidi
Garden of Ideas: Contemporary Art from Pakistan Images, Photos/Multiple contributors
(Source: FB)
(Source: FB)
(Source: FB)
David Alesworth
No comments:
Post a Comment